TRINITY ICONOGRAPHY BIBLIOGRAPHY

unsigned. "Les Répresentations de la Trinité," Fetes et Saisons 496 (June-July 1995), 22-23.

Alpatov, Michael. "Die Heilige Dreieinigkeit von Andrei Rubljoff, "Byzantinisch-Neugriechische Jahrbücher V (1927), 323-339

"La Trinité dans l'art byzantin et l'icone de Roublew," Echos d'Orient 26 (1927), 150-186.

Appleton, LeRoy, and Bridges, Stephen. Symbolism in Liturgical Art (NY: Charles Scribner's Sons, 1959).

Baumstark, A., "Frühchristlich-syrische Psalterillustrationem in einer byzantinischen Abkürzung," Oriens Christianus 5 (1905), 313ish.

Benedict XIV, Solicitudini Nostrae, 1745. Partial English translation published in Papal Teachings: The Liturgy, selected and arranged by the Benedictine Monks of Solesmes, translated by the Daughters of St. Paul (Boston: Daughters of St. Paul, 1962).

Bigham, Steven, The Image of God the Father in Orthodox Theology and Iconography (Torrance, CA: Oakwood Publications, 1995). [my library]

Boespflug, Francois, O.P. Dieu Dans L'Art: Solicitudini Nostrae de Benoit XIV (1745) et l'affaire Crescence de Kaufbeuren. Paris: Editions du Cerf, 1984.

"The Compassion of God the Father in Western Art." Cross Currents 42 (Winter 1992-93).

Bonnefoy, Yves, "Time and the Timeless in Quattrocento Painting," in Rona Goffen, editor, Masaccio's Trinity (Cambridge: Cambridge University Press, 1997), 108-118.

Braunfels, Wolfgang. Die Heilige Dreifaltigkeit. Lukas-Bücherei zur Christlichen Ikonographie, Band VI. Düsseldorf: L. Schwann, 1954.

Denny, Don. "The Trinity in Enguerand Quarton's Coronation of the Virgin," Art Bulletin 45 (March 1963), 48- 52.

Detzel, H. Christliche Ikonographie, Freiburg im Breslau, 1894.

Didron, Adolphe. Christian Iconography: The History of Christian Art in the Middle Ages. New York: Frederick Ungar, 1965 (1851).

Jane Dillenberger "The Appearance and Disappearance of God in Western Art." In Image and Spirit in Sacred and Secular Art, edited by Diane Apostolos-Cappadona (New York: Crossroad, 1990), 93-107.

Duhet-Suchaux, Gaston, nd Pastoreau, "Trinity," in The Bible and the Saints (Flammarion Iconographic Guides. NY: Flammarion, 1994)

Dobrzeniecki, Tadeusz, "The Torun Quinity in the National Museum of Warsaw," Art Bulletin 46 (September, 1964), 380-88.

Elkins, James, "A Hagiography of Bugs and Leaves: On the Dishonesty of Pictured Religion," Religon and the Arts 2:1 (Spring 1998), 1-22.

Evdokimov, Pavl. "The Icon of the Holy Trinity," Lutheran World 3 (1976), 166-170.

Flor, Ingrid, "Hans von Judenburg II, Die trinitarische Marienkrönung: Zur Entfaltung eines neuen ikonographischen Themas," in Götz Pochat und Brigitte Wagner, hrsg., Internationale Gotik in Mitteleuropa (Graz/Austria: Akademische Druck-u. Verlagsanstalt, 1990), 233-252.

Gerstinger, Hans. "Über Herkunft und Entwicklung der Anthropomorphen Byzantinisch-Slawischen Trinitas Darstellunge des Sogenannten Synthronoi- und Paternitas- (Otschestow) Typus," Festschrift W. Saszaloziecky zum 60 Geburtstag (Graz: 1956), 79-85.

Goffen, Rona. "Introduction: Masaccio's Trinity and the Early Renaissance," in Rona Goffen, editor, Masaccio's Trinity (Cambridge: Cambridge University Press, 1997), 1-32.

"Masaccio's Trinity and the Letter to Hebrews," in Rona Goffen, editor, Masaccio's Trinity (Cambridge: Cambridge University Press, 1997), 43-64.

Grabar, André. Christian Iconography: A Study of its Origins. Princeton: Princeton University Press, 1968.

Greshake, Gisbert. Der Dreieine Gott: Eine Trinitarische Theologie (Freiburg: Herder, 1997).

Grube, E., "Majestas und Crucifix: Zum Motiv des Suppedaneum," Zeitschrift für Kunstgeschichte XX (1957), 268-287.

Hackel, Alfred. Die Trinität in der Kunst: Eine Ikonographische Untersuchung. Berlin: Reuther & Richard, 1931.

Heilmaier, Ludwig. Die Gottheit in Der Älteren Christlichen Kunst. Munich: Franz Pfeiffer, 1922.

Heimann, Adelheid. "L'Iconographie de la Trinité. I. Une Formule Byzantine et son Developement en Occident," in L'Art Chrétien, Oct. 1934, p. 37-58.

"Trinitas Creator Mundi," in Journal of the Warburg and Courtauld Institute, II, 1938-1939, pp. 42-54.

Hoffmann, K. "Sugers Anagogisches Fenster in St. Denis," Walraf Richarts Jahrbuch 30 (1968), 57-88.

Pasquale Iacobone, "Mysterium Trinitatis: Dogma e Iconografia nell'Italia Medievale" (Rome: Editrice Pontifica Università Gregoriana, 1997)

"Mysterium Trinitatis: Dogma e Iconografia nell'Italia Medievale," Arte Cristiana 85/778 (Jan-Feb 1997), 49-58.

Jameson, Anna. History of Our Lord (London: 1888).

Kantorowicz, Ernst H., "The Quinity of Winchester," Art Bulletin 29 (1947), 73-85.

Kirfel, W. Die Dreiköpfige Gottheit. Bonn, 1948.

Legge, W. Heneage. "Trinity in Medieval Art," The Reliquary and Illustrated Archeologist, new series XIII (1970), 233-243.

Ligtenberg, Raphael, OFM. "Over Den Oorsprong en de Eerste Beteekenis van den Genadestoel." Collectanea Franciscana Neerlandica III:1, 1932.

Lobbenmeier, Annette. "Perspektive als Bedeutungsträger: Das Trinitätsfresko von Masaccio in Santa Maria Novella in Florenz," Das Münster: Zeitschrift für Kunst und Kunstwissenschaft (April 1998), 307-315.

Lossow, H. "Dreifaltigkeit (II. Ikonographie)" in Lexikon der Marienkunde, Ratisbonne, Pustet, I, 1967, 1453-1457.

MacHarg, John Brainerd. Visual Representations of the Trinity: An Historical Survey. Cooperstown, NY: Arthur H. Crist, 1917.

Mainka, Rudolf, "Zur Personendeutung auf Rublev's Dreifaltigkeitsikone," Ostkirchliche Studien 11 (1962), 3-13.

Martin, J. R., The Illustration of the Heavenly Ladder of John Climacus (Princeton Studies in Manuscript Illumination, V), Princeton, 1954.

Neumann, Gretel. "Die Ikonographie des Gnadenstuhls" (unpublished PhD dissertation, Free University of Berlin, 1952).

Nichols, Aidan, O.P. The Art of God Incarnate: Theology and Image in the Christian Tradition. London: Darton, Longman, and Todd, 1980.

Richard Offner, "Pacino di Bonaguida, A Contemporary of Giotto,"Art In America 11 (1922), 3-27.

Ouspensky, Leonid. Theology of the Icon. Crestwood, NY: St. Vladimir's Seminary Press, 1978.

Pamplona, German de. Iconografia de la Santisima Trinidad en el Arte Medieval Espanol. Madrid: Nuevas Graficas, 1970.

Pearman, Sara Jane. "The Iconographic Development of the Cruciform Throne of Grace from the Twelfth to the Sixteenth Century." Unpublished dissertation, Case Western Reserve University, 1974.

Pettazzoni, R. "The Pagan Origins of the Three-Headed Representation of the Christian Trinity." Journal of the Warburg and Courtauld Institutes, IX (1946), 131-151.

Réau, Louis, Iconographie de l'art Chrétien II:1 (Paris: Presses Universitaires de France, 1956).

Günter Ristow, Die Taufe Christi (Recklinghausen: Verlag Aurel Bongers, 1965), 12.

Robb, DM, "The Iconography of the Annunciation in the Fourteenth and Fifteenth Century," Art Bulletin 18 (1936), 480-526.

G. Rushforth, Medieval Christian Imagery (Oxford: 1936).

Schiller, Gertrud. Ikonographie der Christlichen Kunst. Gütersloh: Gerd Mohn, 1966.

Schlegel, Ursula. "Observations on Masaccio's Trinity Fresco in Santa Maria Novella," Art Bulletin XLV (1963), 19-33.

Simson, O. von., "Über die Bedeutung von Masaccios Trinitatsfresko in S. Maria Novella," Jahrbuch der Berliner Museen 3 (1966), 119-159.

Snow Smith, J. "Masaccio's fresco in S. Maria Novella: A symbolic representaiton of the Eucharistic Sacrifice," Arte Lombarda, 84/85 (1988), 47-60.

Steinberg, Leo. "Who's Who in Michelangelo's Creation of Adam: A Chronology of the Picture's Reluctant Self-Revelation," Art Bulletin 74 (Dec 1992), 552-566.

The Sexuality of Christ in Renaissance Art and in Modern Oblivion (NY: Random House/Pantheon, 1983).

Stolz, Anselm. "Theologisches zu Dreifaltigkeitsbildern," Benediktinische Monatsschrift XV (1933), 322-340.

Strzygowski, J. Iconographie der Taufe Christi. Munich: T. Riedel, 1885.

Tavard, George H. The Vision of the Trinity. Washington, DC: University Press of America, 1981.

Thunberg, Lars, "Early Christian Interpretations of the Three Angels in Gen. 18," Studia Patristica VII ("Texte und Untersuchungen" 92), Berlin, 1966, 560-570.

Verdier, P. "Trinity, Holy, Iconography of," New Catholic Encyclopedia, XIV (Washington, 1967), 307-9.

Wilhelm-Kastner, Kurt. "Gnadenstuhl und Madonna als Doppelfigure –Eine Studie zur Westfalischen Plastik der eersten Halfte des XV Jahrhunderts," Festschrift Martin Wackernagel zum 75 Geburtstag. Cologne: 1958.

Zernov, Militza. "The Icon of the Holy Trinity of Rublev." Sobornost 6:6 (Winter 1972), 387-394.